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Balinese: Between decline and transformation

Guardians of culture: Sekeha Kidung, a group of men or women assigned to recite and sing sacred verses and literary texts during religious ceremonies, plays an important part in preserving Balinese in the modern era. JP/I Wayan JuniarthaAm I prejudiced? This is the question I asked myself a few days ago while arguing with noted Balinese scholar Nyoman Darma Putra.
I had missed the launch of his new book: Tonggak Baru Sastra Bali Modern (New Facts about Modern Balinese Literature), but I now found myself, two days later, sitting with him at the Pomodoro Italian restaurant in Northern Denpasar and discussing this very same book. 

In fact, I had accepted his invitation only because I wanted confirmation of a “hunch”, which I deemed a certainty: I was sure the Balinese language is under threat. 

Hasn’t UNESCO announced the probable extinctions of hundred of languages in the coming century? Isn’t it also true too that Balinese is now rarely spoken in Denpasar?

Ababi’s ritual of warriors

The sun had almost disappeared into the horizon when the usually peaceful village of Ababi, Karangasem, was taken over by a bastion of proud warriors.
Testosterone crowd: Bare-chested men wearing sarongs draped with poleng (checkered black and white cloth) and blazing red udeng (headgear) brandish their kris to show their readiness to attack in the village of Ababi, Karangasem, during Nyeret, an ancient procession staged every two years on the day of Purnama Kapat.

Dozens of men swarmed the village main street with krisses drawn on their hands. Bare-chested, they wore sarongs draped with poleng (checkered black and white cloth) and blazing red udeng (headgear).
Their upper torso glistened under the scorching sun as they rushed along the road. In unison, they repeatedly raised their hands, their krisses pointed at the sky, to show their readiness to attack.

Following them was a procession of a less aggressive character. Hundreds of men and women carried various offerings and sacred objects, such as jempana (wooden thrones of the deities), pratima (statues) and the

Fab Cafe: A perfect rendezvous

If it stands alone, Fab Cafe may remain a stranger. But when you says Fab Cafe, Gramedia, Grand Indonesia East Mall, it will no longer be anonymous. 

Raining berries - JP/Moch N. KurniawanInstead, located just across the road from the iconic Hotel Indonesia traffic circle, the cafe is a perfect rendezvous.

Upcoming author Ahmad Fuadi, who recently spoke about his bestselling novel titled Negeri 5 Menara (Nation of 5 Towers) during the Meet the Authors and Photo Exhibition to help needy students held by the Singapore International Foundation (SIF)-ASEAN Fellowship Indonesian alumni at the cafe, commented: “Having a gathering in here reminds me of a famous book store with a cafe abroad.”

Long live the King

Last Sunday, the people of Klungkung hailed their new king. 

A new face: The new King of Klungkung Ida Dalem Semaraputra sits in his palace.
Photos by Agung Parameswara
Hundreds of people dressed in traditional costume flocked the courtyard of Klungkung palace as the court’s high priest Ida Pedanda Gede Putra Tembau of Aan crowned Tjokorda Gde Agung Semaraputra as the new King of Klungkung. 

The elderly priest also bestowed a new name on the king: Ida Dalem Semaraputra.

Kings, princes and princesses from all over Bali and across the country, including members of the Nusantara Keraton Friendship Forum (FSKN), an umbrella organization cum lobby group for the country’s royalty, attended the coronation ceremony, which involved elaborate Balinese Hindu rituals and majestic sacred dances.

A Year of Artful Delights in Yogya



When German national Claudia Seise studied at the Yogyakarta fine arts school Institut Seni Indonesia in 2005, she experienced the dynamic contemporary art scene there firsthand. She was so fascinated by it that she returned to Indonesia from her homeland in 2008 to look at the cultural scene more closely.
The result of her exploration was recently published in “One Year on the Scene: Contemporary Art in Indonesia.”
The book offers valuable insight into Yogyakarta’s vibrant art community, including its background and problems.
Color photographs of gallery artworks and exhibitions emphasize the diversity of the province’s creative culture.

Batik represents RI in London Festival of Architecture

Sweet building: Irish artist Brendan Jamison creates sugar-cube buildings with children in  the LFA2010.JP/Ati KisjantoA swirl of giant batik with the theme “Landscape of Diversity” flows through South Molton Lane in central London’s exclusive Mayfair district.
The sight is rare, not only because batik is hard to come by in London, but also because instead of fabric, the creation is made of plywood.

The installation was the work of six enthusiastic Indonesian architects who called themselves Alur Design, representing their country in the 2010 London Festival of Architecture (LFA2010). Five of the group are among the top students from AA (Architectural Association) School of Architecture: Ardes Perdhana, Kuncara Wicaksana, Prama Milyardi, Rizki Nindito and Olivia Putihrai. Monique Suksmaningsih, the sixth, is a graduate from TU Delft, the Netherlands.