It is said the King of Ubud gave the artist Antonio Blanco this land to build his home and which today stands as something of a monument to this renowned artist.
This land in Ubud is also said to sit at the confluence of two sacred rivers and so in a variety of ways is seen as an auspicious and special place.
It soon becomes clear that this is a place of restfulness and beauty: Gardens are beautifully kept, lawns are clipped and manicured, and statues are adorned with umbrellas and flowers.
The grounds of the museum immediately reflect this space is respected and worshipped. Signs over the entrance door into the grounds state that “Through these portals pass the most beautiful people in Bali”.
Antonio Blanco was an artist of Spanish parentage born in Manila, The Philippines, in 1911. It is evident from the museum that the artist enjoyed a varied and truly international life. After his high school education in Manila, he went on to study art in New York and developed skills and a liking for figurative and portrait art.
While this sentiment was to prevail throughout his artistic life, his arrival in Bali in 1952 proved central to the rest of his life. He married a Balinese woman famed for her Balinese dancing, Ni Ronji. Her portraits kept in the museum add a very personal touch to the museum, almost making the visitor feel like being at home.
Perhaps first and foremost it is the home of Antonio Blanco. His spirit seems to linger throughout the mansion at the center of the place.
The mansion is large and ornate; perhaps a little too ornate and even gaudy for many a modern person’s tastes, but it is important as it acts as a gallery space for so many of Blanco’s paintings.
These are displayed in often highly decorated frames, some of which were also designed by the artist.
But it is in the artist’s studio to the side of the mansion that visitors get a real sense of the artist’s work.
Antonio Blanco passed away in 1999 but his spirit seems to linger on in his small but intimate studio, where numerous frames and paintings either line the walls or rest, stacked up against the walls. One feels like someone needs to finish the pieces or take up the brushes and use the paints left in the center of the room.
Today, visitors to the museum are invited to sit as the artist would have and have their photograph taken posing with artist’s palette and brush in hand. Although this sounds almost terribly touristy, it is done in a fun way and the attendants are warm and welcoming.
This is, perhaps, one of the nicest aspects of this museum; although the mansion house is grandiose and imposing — practically demanding attention — there is still something of an intimacy and warmth about the place as a whole.
Antonio Blanco’s son Mario also became an artist, very much in his father’s tradition, and so his studio resides right next to that of his renowned father’s.
Antonio Blanco was one of many foreign artists to come to Bali and feel at home. His memory is, though, kept alive more powerfully than most with this museum that combines studios and a large mansion house.
The artist may have passed away more than a decade ago now and, to some extent, the times that he represents have passed; perhaps they were more stylish and genteel times. But this museum seems to look back on them with a fondness and warmth that is both simultaneously interesting to the mind and calming to the spirit.
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